Daily Prompt: Call Me Ishmael

‘Prince Rupert rode his unicorn into the Tanglewood, peering balefully through the drizzling rain as he searched half-heartedly for the flea hiding somewhere under his breastplate.’

This is the first line from Blue Moon Rising by Simon. R. Green which has been my favourite book ever since the first time I read it aged about twelve. Don’t be mistaken, this isn’t a kids book. It isn’t even a teenage fiction; it would probably give the average Twilight reader nightmares. This is a dark fantasy but with all the trappings of a typical girlie fantasy book.

You have a prince on a white horse, a princess in need of rescuing from a dragon and a kingdom calling out for a hero to save them. Only in this book the white horse is a unicorn (they can only be ridden by virgins in case you don’t know your mythology) leading to a lot of sniggers for our valiant prince. The dragon ends up being rescued from an over bearing princess most people want to be rid of and the hero the kingdom is calling out for is not Prince Rupert but his older brother Harold. All this happens in chapter one. A few chapters later demons come spilling out of the dark wood intent on slaughtering the people of the first kingdom fuelled by the magic of the evil Blue Moon.

I suppose I should have realised earlier that power metal would be the form of ‘heavy’ music I’d be most attracted to, going by this book anyway. I once heard power metal described as:
“The protagonist arrives riding a white unicorn, escapes from the dragon, saves the princess and makes love to her in an enchanted forest.”
Which sounds very saccharine until you realise that you can apply that to my favourite book which is anything but.
Some of the other metaphoric definitions -which can be found here – don’t fit all all. For example:
HEAVY METAL: The protagonist arrives on a Harley, kills the dragon, drinks a few beers and f***s the princess
This doesn’t really appeal at all, though I admit it isn’t exactly a true definition of heavy metal music, which appeals greatly to listen to. But when it comes to actually playing the music heavy metal just isn’t as fun as power metal.

The obvious and most egotistical reason for this is that a lot of heavy metal bands don’t employ a keyboard player and I’m fairly untalented on the guitar. Like most people I enjoy the things that I am good at. But also it doesn’t matter what effects pedal you drive your guitar through you just can’t create the wall of sound you can with a keyboard. You can play the same chords in the same rhythm as the guitarists but you can do so much more with them. Inversions, for instance. By changing the inversion of a chord you not only change the overall sound but you give yourself far more options for where to progress to next.

There are also instances where the keyboard player can change the tonality of a chord, in this case whether it is major or minor, despite the fact that there are (in Draegon’s case) three other guitarists in the band. This is because guitarists like to play power chords which consist of open fifths. As they’re not playing the third this leaves the chord’s tonality ambiguous and it is the keyboard player who fills it in. I should point out that if you have a guitar soloing it is a good idea to tell him which chord you are using or you could end up in a mess. You also have the option of playing an awesome solo as well as the wall of sound which you can alter to your hearts content.

All in all it’s a bit like my book. There you have a book pretending to be a bright sparkly fantasy which contains elements of horror and a wicked since of humour. With a keyboard you have the task of being labeled ‘rhythm section’ and keeping the song flowing, but you also have options coming out of your ears.

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